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The United States took the lead in modern dance innovation during the 1960s when artists such as Martha Graham, Josse Limbon, Paul Taylor, Alvin Aeiley and Alwin Nikolais overwhelmed European audiences. Subsequently, the New German Tanztheatre revitalized German theatre traditions with its new content and application of some of the United States modern dance techniques. This book discusses both parallels and distinctions between the history of modern dance in the United States and Germany. This work examines the phenomena of the modern dance movement between 1920 and 1968 in an international context, focusing on its beginnings in Europe and its philosophy as formulated by Dalcroze, Laban, Wigman, and Jooss. The book traces the effects of the Third Reich on these artists as well as their influence on the developing American modern dance movement through the postwar years, with a particular focus on Kurt Jooss and the Tanztheatre.

• Sales Rank: #2302749 in eBooks
• Published on: 2013-11-05
• Released on: 2013-11-05
• Format: Kindle eBook

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Now in its third edition, this leading introduction to ethnography has been thoroughly updated and substantially rewritten. It offers a systematic introduction to ethnographic principles and practice. New material covers the use of visual and virtual research methods, hypermedia software and the issue of ethical regulation. There is also a new prologue and epilogue.

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• Sales Rank: #488436 in Books
• Published on: 2007-07-08
• Released on: 2007-06-14
• Original language: English
• Number of items: 1
• Dimensions: 9.69" h x .65" w x 6.85" l, 1.10 pounds
• Binding: Paperback
• 288 pages

Review
'The changes to the new addition reflect recent theoretical and methodological debates, new trends in the practice of ethnography, and various technolgical developments that have already had or will likely have an influence on ethnography. ... One of the major advantages of this book is its broad appeal. ... The second edition of Ethnography: Principles in Practice is an excellent introduction both to ethnography as well as qualitative social research generally. This new edition will surely enjoy continued popularity with students, ethnographic workers, and researchers in the social and behavioural sciences.' - Reviewing Sociology

About the first edition 'The authors skilfully cruise most of the well known stations on the ethnographic career: getting in, negotiating fronts, doing theoretical sampling a la Strauss, recording the data ... They rightly emphasise the increased use of documentation. All these issues (and others) are aptly illustrated with extracts from the ethnographic pantheon, with more leaning than usual towards educational settings. The text is a must for theory and methods courses.' - Network

About the Author

Martyn Hammersley is Professor of Educational and Social Research at the Open University. His early research was in the sociology of education, focusing in particular on teachers' perspectives, patterns of classroom interaction, and assessment regimes. More recently he has investigated the representation of social research findings in the mass media. His most recent books are Taking Sides in Social Research (2000), Educational Research: Policy Making and Practice (2002), and Media Bias in Reporting Social Research? (2006).

Paul Atkinson is Distinguished Research Professor of Sociology at Cardiff University, where he is Associate Director of the ESRC Centre for Economic and Social Aspects of Genomics. His main research interests include the sociology of cultural production, the sociology of medical knowleddge, with particular emphasis on the social consequences of new genetic technologies and the development of qualitative research methods, including applications of information technology. His most recent books have been Everyday Arias: An Operatic Ethnography (2005) and Interactionism with William Housley (2003). Together with Sara Delamont he edits the journal Qualitative Research.

Most helpful customer reviews

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Thorough discussion of field work and possible problems
By A Customer
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Five Stars
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This updated bestseller provides an introduction to programming interactive computer graphics, with an emphasis on game development using DirectX 12. The book is divided into three main parts: basic mathematical tools, fundamental tasks in Direct3D, and techniques and special effects. It shows how to use new Direct12 features such as command lists, pipeline state objects, descriptor heaps and tables, and explicit resource management to reduce CPU overhead and increase scalability across multiple CPU cores. The book covers modern special effects and techniques such as hardware tessellation, writing compute shaders, ambient occlusion, reflections, normal and displacement mapping, shadow rendering, and character animation. Includes a companion DVD with code and figures.

FEATURES:

• Provides an introduction to programming interactive computer graphics, with an emphasis on game development using DirectX 12

• Uses new Direct3D 12 features to reduce CPU overhead and take advantage of multiple CPU cores

• Contains detailed explanations of popular real-time game effects

• Includes a DVD with source code and all the images (including 4-color) from the book

• Learn advance rendering techniques such as ambient occlusion, real-time reflections, normal and displacement mapping, shadow rendering, programming the geometry shader, and character animation

• Covers a mathematics review and 3D rendering fundamentals such as lighting, texturing, blending and stenciling

• Use the end-of-chapter exercises to test understanding and provide experience with DirectX 12

• Sales Rank: #183845 in Books
• Published on: 2016-03-24
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.60" w x 7.00" l, .0 pounds
• Binding: Paperback
• 900 pages

About the Author
Frank Luna has been programming interactive 3D graphics with DirectX for more than fifteen years. He is the author of three bestselling books on DirectX and has worked in 3D medical visualization, 3D architectural design software, and gaming. He holds a BS in mathematics from the University of California, Irvine.

Most helpful customer reviews

14 of 15 people found the following review helpful.
Absolutely no effort was put into this book. It's ...
By Amazon Customer
Absolutely no effort was put into this book. It's a copy paste of the previous book on DirectX 11. In several chapters, the author didn't event bother changing "Direct3D 11" to "Direct3D 12", so it creates a very confusing mess.

8 of 10 people found the following review helpful.
Good, but missing some things
By Amazon Customer
I haven't read the entire thing but so far it's pretty good.

But just so people know, the chapters on terrain rendering and particle systems that were in the d3d11 book are gone.
And the book doesn't teach you "how to take advantage of multiple cores." as it states on the back, the book directs you to look at microsoft samples.

One cool thing though is the lighting model you implement is a bit more advanced than the one in the d3d11 book.

1 of 1 people found the following review helpful.
more like introduction to directx12 with 3d game programming
By francis
more like introduction to directx12 with 3d game programming. it has everything I need to get started programming graphics and as a begginner I can only get better with this book.

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• Published on: 2012
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• 1160 pages

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Ten stories in this book, mostly unavailable since their original printings in comic books, are collected here together for the first time, along with a few other gems. Also included are several virtually unknown works by Barks which have not previously been collected anywhere. Four of the stories in this book appear in restored versions which are intended to showcase them as Barks originally intended for them to be seen. All of the stories are sourced from high quality masters except for three for which there are no known surviving masters. As collected in this book, newly colored and sourced from original masters, the stories look much better in this book than in previous printings. The 26 Barney Bear and Benny Burro stories, the bulk of Barks' non-Disney work, are in print in the USA in another book, The Carl Barks Big Book of Barney Bear; however, unfortunately, original masters were not used for their reproduction. The Unavailable Carl Barks also includes a comprehensive index to all of Carl Barks' non-Disney comics, and other introductory, historical, and background articles, totaling about 40 pages. Every story that Carl Barks wrote or drew featuring Disney characters during his career as a comic book creator has been reprinted, often many times, in comic books and albums and books. The Disney work is the most important of Barks' work, but Barks also wrote and/or drew 36 other comic book stories featuring non-Disney characters between 1943 and 1953; these have been less-well served in reprinting and are much less well-known. They are generally comparable in quality to the average of the Donald Duck work he was doing at the same time. A few of them are quite creative and delightful, and stand well with the best short story work he was doing at the time. Most of them have been out-of-print since their publication decades ago in comic books. This book is intended to remedy that situation.

• Sales Rank: #246345 in Books
• Published on: 2016-07-21
• Original language: English
• Dimensions: 11.00" h x .39" w x 8.50" l,
• Binding: Paperback
• 164 pages

About the Author
Kim Weston is a long time Barks fan and scholar who has contributed to Mike Barrier's magazine, Funnyworld, as well as the Barks Bibliography, and the book, Carl Barks and the Art of the Comic Book.  He was a contributor to the Celestial Arts book, Uncle Scrooge McDuck:  His Life and Times, and to Another Rainbow's Carl Barks Library.  He has contributed Barks and Disney information to the Overstreet Price Guide.  He is a contributor to Fantagraphics Books' ongoing series of The Complete Carl Barks Disney Library.  And he scripted The Ultimate Barks Collector gag page drawn by Walter Simonson.  Recently he has been contributing to The Carl Barks Fan Club Pictorial and he has also written occasionally on Barks' work for the past 45+ years, contributing to Barks and Disney scholarship mostly for a small audience in an Amateur Press Alliance.  That is where he commissioned Jack L. Chalker to write the article which was first published in that Amateur Press Alliance and which was later expanded to become Chalker's book, An Informal Biography of Scrooge McDuck.  That work was one of the influences that later inspired Don Rosa to do his own comic book series, the well-loved Life and Times of Scrooge McDuck.   He authored the recently published The Carl Barks Index: A Concordance of the Comics of Carl Barks. The book indexes Barks’ complete Disney comic books from December 1946 to March 1953, plus the first 12 issues of Uncle Scrooge, extending that part of Barks’ work to June 1955, as published in the Fantagraphics Books: The Complete Carl Barks Disney Library Volumes 5-14 and also as in the original Comic Books. This time period and these books contain a majority of Barks’ very best work and includes the time period when Barks is generally considered to been at his peak of creativity, productivity, and quality of writing and drawing.

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10 of 10 people found the following review helpful.
An absolute treasure for Carl Barks fans!
By I.H.
Apart from all the Disney work that Carl Barks did, he also wrote and/or drew 36 other comic book stories. Of them, 26 are available in the book "The Carl Barks Big Book of Barney Bear" by Craig Yoe, which contains versions scanned from the original comic books. This book by Kim Weston contains the other 10, as well as restored versions of two of the 26 in Yoe's book. All of them, except for three, are sourced from high quality masters and are beautifully colored, and look really wonderful! The other three are scanned from the original comic books. There are also short essays and restoration notes as well as a complete index to the Carl Barks' non-Disney comic books. Most of the stories in this book are from the years 1943-1945. In comparison, the Donald Duck story "Frozen Gold" was drawn in 1944 and "The Ghost of the Grotto" in 1947. I am personally very fond of the early work of Barks, and having all these non-Disney stories from the same era is an absolute treasure!

0 of 0 people found the following review helpful.
Barks genius in non-Disney Comics and Stories
By Amazon Customer
As I have said so many times before, Carl Barks never drew or wrote a dud. Before he was the chief chronicler of the Disney Ducks; Western publishing had him doing non-Disney comics and stories. Actually these non-Disney tales are the best these characters ever produced. I remember, as a child, the disappointment I felt when "Barney Bear and Benny Burro" were drawn by someone else. The only really good "Droopy tales" were drawn and scripted by Barks and the best non-Barks Droopy stories were written, if not drawn by Barks. This book collects those non-Disney Barks stories and a few that were only written by Barks. If you like the work of Carl Barks, you'll love this book. Highly recommended.

0 of 0 people found the following review helpful.
Five Stars
By Bill The Librarian
An very worthwhile addition to my collection! Will buy from them again.

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• Sales Rank: #3342354 in Books
• Published on: 2011-12-07
• Original language: English
• Dimensions: 11.50" h x 8.75" w x .25" l, .15 pounds
• Binding: Paperback
• 6 pages

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0 of 0 people found the following review helpful.
Three Stars
By Melanie Elliott
Too hard for my students to read and use but a teaching resource for me

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• Sales Rank: #12017803 in Books
• Binding: Comic

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